Contributor Aimee Knight

Diverse group of adults standing together, some wearing distinctive headwear, in a dimly lit indoor setting.
Review

The Work

by Aimee Knight

This essential, moving documentary challenges the idea of prison as a breeding ground for machismo and violence.

3
Anticipation
4
Enjoyment
5
In Retrospect
A young child with dark hair and a thoughtful expression, surrounded by lush, vibrant greenery and colourful flowers.
Review

Spaceship

by Aimee Knight

Alex Taylor’s fluoro-hued directorial debut is a painfully misconceived exercise in teen bait.

3
Anticipation
1
Enjoyment
1
In Retrospect
A blue, furry creature with its mouth wide open in an intense expression against a colourful, blurred background.
Review

LoveTrue

by Aimee Knight

Bombay Beach director Alma Har’el serves up an intriguing painted poem of a film.

4
Anticipation
3
Enjoyment
3
In Retrospect
Black and white image of a person wearing a peaked cap and military uniform, with another person in the background.
Review

I, Olga

by Aimee Knight

A young loner goes off the rails in ’70s Czechoslovakia in this haunting, relentlessly bleak debut.

3
Anticipation
3
Enjoyment
3
In Retrospect
Two individuals, a man with a moustache wearing a black suit and a bald man with glasses wearing a blue jacket, holding humorous props.
In Praise Of

Why Shock Treatment is an “equal” to The Rocky Horror Picture Show

by Aimee Knight

Was creator Richard O’Brien on the money when describing his other box office flop?

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