Gregg Araki has abandoned his rough-around-the-edges exploitation style in favour of the dream-like textures of David Lynch.
At times frustratingly slow, The Consequences of Love could be criticised for its meandering lack of action.
Sin City is not so much an adaptation as the transliteration of a comic book classic to the big screen.
Match Point is enjoyable, if lacking in a little charm. Woody can do better than this, and we know it.
Daniel Auteuil and Juliette Binoche are terrorised by mysterious surveillance tapes in Michael Haneke’s gripping drama.
Lars von Trier’s latest is an exercise in claustrophobic filmmaking, rife with symbolism and an unstoppable momentum.
Brett Ratner doesn’t have the brains, interest or budget to do the X-Men any kind of justice.
John Lasseter has described the film as ‘a present to the world’. You might want to keep the receipt.
An all-too-rare cocktail of cinematic know-how and genuinely touching human drama.
This vital eco-doc from Al Gore contains a chilling wake-up call everyone needs to listen to.
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