Latest

A woman in a long, red floral dress stands in front of a building with a "Gym's" sign. A car is visible in the background.
Festivals

Honey Don’t! – first-look review

The second instalment of Ethan Coen and Tricia Cooke’s lesbian genre film trilogy manages to just about snag a passing grade.
Several people, including a pregnant woman, gathered in a room, with a clock on the wall.
Festivals

Young Mothers first-look review

Belgium’s Dardenne brothers return with a typically emotive film about a group of very young women dealing with the dramas of childbirth.
Two young people sitting by a window, one reading a book and the other smoking a cigarette.
Festivals

Woman and Child – first-look review

Love and humour gives way to bitterness and rancour in this slick and involving portrait of an Iranian family in turmoil from Saeed Roustaee.
Two people sitting on a bench at night, surrounded by blurred city lights in the background.
Festivals

Love on Trial – first-look review

A young J-pop singer must choose between love and stardom in Koji Fukada's gentle romantic drama.
Two people, a young man and woman, with serious expressions, looking intently at each other.
Festivals

Romería – first-look review

This semiautobiographical drama from Golden Bear-winner Carla Simón makes for a heartfelt exploration on the joys and pains of extended family.
A young woman with curly hair pointing a gun directly at the camera.
Festivals

Heads or Tails? – first-look review

Alessio Rigo de Righi and Matteo Zoppis deliver a spirited western ballad about a young woman seeking freedom and her daring lover.
Close-up of a person gently cradling a black cat, both looking directly at the camera.
Festivals

Sorry, Baby – first-look review

A brilliant young academic struggles to come to terms with the aftermath of a sexual assault in Eva Victor's moving dramedy.
A person with long brown hair lying on a bed, eyes closed, hands covering their face.
Festivals

Sentimental Value – first-look review

Renate Reinsve plays an actress struggling with the sudden return of her estranged father in Joachim Trier's latest drama.
A man with dark hair and a pained expression on his face, his upper body visible against a mottled green and grey background.
Festivals

The History of Sound – first-look review

Two musicians set out to record the folk songs of rural America in Oliver Hermanus' restrained but affecting drama.
A monochrome image of a man in a suit and hat standing next to a vintage car.
Festivals

The Disappearance of Josef Mengele – first-look review

Russian exile filmmaker Kirill Serebrennikov selects Auschwitz’s “Angel of Death“ as the subject of the first film made in his new home, Germany.

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