by Elena Lazic
The French star discusses The Innocent, his fourth feature film as a director and a quintessentially French hybrid of romantic comedy and heist thriller.
The master of the erotic thriller talks Deep Water, his long absence, and working with Ben Affleck and Ana de Armas.
Ana de Armas and Ben Affleck play spouses engrossed in a twisted game of cat and mouse in director Adrian Lyne’s long-awaited return.
The beguiling star of Sebastian Meise’s Great Freedom reflects on his career so far and the future of cinema.
Peter Jackson unearths and re-edits footage of the Beatles’ last hurrah, with euphoric and exasperating results.
Jonathan Larson’s celebrated stage musical gets the Lin-Manuel Miranda treatment – for better and for worse.
With her second feature, Hungarian writer/director Lili Horvát delivers a suspenseful elliptical thriller.
Klassiki is launching on the back of a popular lockdown movie club.
François Ozon turns back the clock for a sun-kissed gay love story that’s shot through with tragedy.
To celebrate the release of Summer of 85, we explore Ozon’s various heightened depictions of days gone by.
The actor reflects on her role in the controversial rape revenge classic from 1978.
How a fascination with female desire inspired the first-time director of the excellent Make Up.
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