by Thomas Hobbs
From Mica Levi’s crashing, trap-infused Zola score to Emile Mosseri’s delicate piano work on Minari.
Nick Broomfield rakes over the coals of the Biggie vs 2Pac saga but doesn’t find anything particularly new.
Billy Wilder’s 1951 noir has obvious parallels with our current age of fake news and alternative facts.
From Birds of Prey’s intoxicating mix of rap and pop music to Tamar-kali’s atmospheric Shirley score.
The Chicago rapper describes the moment he fell in love with Jon Brion’s dreamlike score.
The director’s 1995 tech noir isn’t her most critically or commercially successful film, but it might just be her most important.
The producer and rapper reveals the soul-cleansing moment he discovered Cliff Martinez’s soundtrack.
Max Richter’s eight-hour concept album is brought to life via Natalie Johns’s immersive concert film.
The avant-pop musician on how Andrei Tarkovsky’s dark epic helped to mould her own approach to composing.
The British composer discusses how Stanley Kubrick’s use of classical music enhances his 1968 sci-fi epic.
This anthology of 20 short films presents an interesting but imbalanced cross-section of modern British life.
The Midsommar composer, better known as The Haxan Cloak, reveals how he drew inspiration from Jerry Goldsmith’s classic soundtrack.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.