In Heaven Everything Is Fine

Two cartoon rabbits, one holding a cake and dressed in a red pinafore, the other in a purple suit, in a countryside setting with hills and clouds.
In Heaven Everything Is Fine

In Twin Peaks

by Aaron Stewart-Ahn

Screenwriter, filmmaker and David Lynch disciple Aaron Stewart-Ahn reflects on growing up a stone's throw from the setting of Lynch's magnum opus, and what lies at the beating heart of all his creative work.
Two bearded men, one in a red shirt and hat, the other in a purple and grey striped shirt, set against a wooden background.
In Heaven Everything Is Fine

Full of stars: The Straight Story

by Hannah Strong

David Lynch's most unlikely feature examines the pain, regret, love and hope that makes life worth living.
Close-up portrait of a man in red clothing arranging red roses on a wooden frame.
In Heaven Everything Is Fine

Desire Wore Blue Velvet

by Jourdain Searles

Jourdain Searles reflects on the power dynamics at play in David Lynch's seductive 1986 thriller.
Dark sketch of a woman sitting on a bed in a rustic interior, with a window and furnishings visible.
In Heaven Everything Is Fine

The monstrous and the tender in The Elephant Man

by Christina Newland

Christina Newland explores the rhythms of David Lynch's take on the life of Joseph Merrick.
Graphic comic-style image depicting an angry, screaming woman with wild hair in a red and black palette, surrounded by smaller images including an explosion and another woman.
In Heaven Everything Is Fine

An endless summer with Twin Peaks: The Return

by Mark Asch

Mark Asch recalls the sultry summer of 2017, when Dale Cooper returned to television and the world was forever changed.
Illustration depicting two male faces, one in cool blue tones and the other in warm red tones, with expressive features and dramatic shading.
In Heaven Everything Is Fine

Dreaming of Lost Highway

by Sophie Monks Kaufman

Sophie Monks Kaufman recalls a strange vision in the nighttime and the haunting nature of David Lynch's 1997 neo-noir.
A woman with curly, dark hair adorned with crescent moon accessories, wearing a black feathered garment and staring intently at the viewer against a starry night background.
In Heaven Everything Is Fine

Light in the darkness: David Lynch’s Dune

by Marina Ashioti

David Lynch's one-time adventure in Hollywood blockbuster filmmaking would forever change him – but not his heart.
Illustration of a woman with flowing blonde hair, red lips, and two pink rabbit-like creatures in the corners.
In Heaven Everything Is Fine

Women in trouble: On Inland Empire

by Esther Rosenfield

Throughout his career – though perhaps nowhere so much as in Inland Empire – David Lynch carved out a space for powerful depictions of women in crisis.
Four angry, cartoon-style faces with speech bubbles containing rude language. Geometric shapes, bold black lines, and expressive facial features. Football player and spectators depicted.
In Heaven Everything Is Fine

A trip down to DumbLand

by Esmé Holden

David Lynch's little-seen cartoon series about an angry man named Randy couldn't be more pertinent.
Two cartoon rabbits, one holding a cake and dressed in a red pinafore, the other in a purple suit, in a countryside setting with hills and clouds.
In Heaven Everything Is Fine

Love in the land of Twin Peaks

by Juan Barquin

Mark Frost and David Lynch's beloved television series is a testament to the greatest power human beings have.
Colourful illustration showing two women, one smiling with large fluffy hair, the other with eyes closed.
In Heaven Everything Is Fine

Personal freedom in Wild at Heart

by Kathryn Bromwich

A snakeskin jacket stands for so much in David Lynch's lurid fairytale Wild at Heart.
In Heaven Everything Is Fine

Laura longs for an angel: On Twin Peaks: Fire Walk With Me

by Willow Catelyn Maclay

Willow Catelyn Maclay reflects on the lonely last days of Laura Palmer in David Lynch's Twin Peaks prequel.

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