Latest

Three African men seated in a dimly lit stall, wearing casual clothing. The men appear to be in conversation, with the younger ones looking up at the older man.
Festival

My Father’s Shadow – first-look review

by David Jenkins

Akinola Davies Jr announces himself as the real deal with this mightily impressive and affecting debut.
A woman in profile, with blonde hair, against a dark background.
Festival

Die, My Love – first-look review

by Hannah Strong

Lynne Ramsay finds a kindred spirit in Jennifer Lawrence, joining forces for a blistering portrait of a woman on the verge of a nervous breakdown.
Exterior of a cafe, two men sitting at a table in the foreground, one wearing a suit and the other a checkered shirt, text 'A bout de Souffle' on the storefront awning.
Festival

New Wave – first-look review

by Sophie Monks Kaufman

Richard Linklater's homage to the filming of Jean-Luc Godard's Breathless brings precious little new to the story of the New Wave.
Two men standing outdoors at night, one in a jacket, the other in a casual shirt, under twinkling lights.
Festival

Pillion – first-look review

by Hannah Strong

A meek young traffic warden embarks on a sexual odyssey with a taciturn biker in Harry Lighton's loose adaptation of Adam Mars-Jones' Box Hill.
Young woman in green jacket, thoughtful expression, dark hair and eyes.
Festival

Renoir – first-look review

by Iana Murray

An 11-year-old girl attempts to find a way to cope with her father's death in Chie Hayakawa's second feature.
Two individuals, possibly actors, seated in a red convertible car against a rural backdrop.
Festival

Miroirs No. 3 – first-look review

by David Jenkins

German director Christian Petzold delivers once again with this deviously-structured psychodrama starring his current muse, Paula Beer.
Warm-toned image of a person in a shirt and floral skirt sitting at a desk, using a computer monitor and fan.
Festival

Urchin – first-look review

by Hannah Strong

Harris Dickinson's fierce directorial debut is a poignant tale of a down-on-his-luck drifter, featuring a star-making performance from Frank Dillane.
Two men in cowboy hats facing each other on a dusty road with buildings in the background.
Festival

Eddington – first-look review

by David Jenkins

Everyone and everything has a target painted on their ass in Ari Aster’s gaudy portrait of American decline.
Smiling young women in casual clothing, embracing each other affectionately.
Festival

La Petite Dernière – first-look review

by Sophie Monks Kaufman

A young Muslim woman struggles to reconcile her blossoming sexuality with her identity and family expectations in Hafsia Herzi's adaptation of Fatima Daas' novel.
Silhouette of a person standing in a lake at dusk, trees and sky visible in the background.
Festival

The Chronology of Water – first-look review

by Hannah Strong

Kristen Stewart makes her directorial debut with a rousing adaptation of Lidia Yuknavitch's memoir.

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