by Hannah Strong
Renée Zellweger dons her big knickers again as the frazzled heroine, this time getting her groove back after her husband's death.
by David Jenkins
Tom Hardy seems tired and confused in this comic book sci-fi sequel that hasn’t got an original bone in its alien symbiote body.
by Erik Nielsen
An affluent couple plot an audacious diamond heist in the Covid movie absolutely no one needed.
by Adam Woodward
Jon Favreau’s update of Disney’s animated epic shows the studio’s remake philosophy is not so problem free.
by Elena Lazic
Faux feminist biblical revisionism abounds in Garth Davis’ humdrum religious drama.
by Manuela Lazic
At long last – a light, funny superhero movie that embraces the fantasy aspects of the genre in both its story and form.
by Adam White
Despite the best efforts of Chiwetel Ejiofor and Julia Roberts this remake of Juan José Campanella’s Oscar winner is DOA.
Australian director John Hillcoat assembles an A-list crack squad for this gritty by-the-numbers heist flick.
by Ashley Clark
One of Britain’s greatest living filmmakers offers an outraged, intense and artful examination of American slavery.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.