Talent Christopher Nolan

Two women, one with short blonde hair and the other with dark hair, sitting in front of a yellow wall with lightning bolt shapes.
Review

Oppenheimer review – Cillian Murphy’s finest hour

by David Jenkins

This combustible and relentlessly-paced biography of the “father of the the atomic bomb” is a contender for Christopher Nolan’s best film.

4
Anticipation
4
Enjoyment
5
In Retrospect
A close-up of a serious-looking man with a thick beard, wearing a suit and tie, in a dimly lit environment.
Review

Tenet

by Adam Woodward

A stoppable force meets an infinitely movable object in Christopher Nolan’s continuum-shattering sci-fi thriller.

5
Anticipation
3
Enjoyment
3
In Retrospect
A man in a brown coat standing amongst sandbags in a military setting.
Review

Dunkirk

by Adam Woodward

Christopher Nolan’s breathtaking historical opus attempts to give the viewer a taste of what war actually feels like.

5
Anticipation
5
Enjoyment
3
In Retrospect
Two people, a man and a woman, standing in a field of tall corn.
Review

Interstellar

by David Ehrlich

Christopher Nolan’s sci-fi epic is his most ambitious film yet, if not necessarily his best.

5
Anticipation
5
Enjoyment
4
In Retrospect
A man wearing a dark mask and a fur-lined coat stands in a snowy, urban environment at night.
Review

The Dark Knight Rises

by Adam Woodward

Christopher Nolan’s baroque opus is a worthy trilogy closer, both seriously epic and epically serious.

4
Anticipation
4
Enjoyment
4
In Retrospect
Two men in dark suits walking down a hotel corridor, both looking ahead with serious expressions.
Review

Inception

by Matt Bochenski

It may not be art and it certainly isn’t truth. But Inception fulfils one of the basic tenets of cinema: it takes the breath away.

5
Anticipation
5
Enjoyment
4
In Retrospect

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